
TERMINOLOGY OF JAZZ DANCE
français
- italiano
- english
-
espagnol
a
delicate matter....
The terminology in jazz dance still stays at
present a delicate point, for it can change depending to which
country you find it in. The steps are varied to each origin
wich are numerous. So the issue of style is certainly not
definite, they can be created by teachers or choreographers
or just inspired by watching peoples walking down the street.
So one should not be suprised of finding the same step with
different names and spellings.
|
|
| BALL
CHANGE |
Change
weight R+L ball-stamp (step-stamp), or stamp-stamp. |
| CAT
WALK |
Walking like a cat,
crossing one leg in front of the other with a bend back. |
| CATCH
STEP |
Like a ballchange
but from flat foot to flat foot (stamp). |
| CHASSES |
One foot chases the
other. |
FALL
OVER THE LEG/LOG
|
Piqué passé.
(see also jumps over the log). |
| HIP
WALK |
Déhanchés sidewards
or front-back. |
| JAZZ
DRAG |
It's like a catwalk
but with dragging one leg behind. |
| JAZZ
RUN |
Like a jazzwalk
but fast (running). |
JAZZ
WALK-DRAG
|
Walking straight
in plié with shoulders in opposition. |
| MOONWALK |
The walk forward
that goes backwards (Michael Jackson). |
| MOONWALK
|
2nd version:
tribute to the first man that walked on the moon. Piqué attitude-fondu
in slow motion. « Walking on the moon » de Sting .
|
| PIVOT
STEP |
Step front,
twist and step back twist (pivot). |
| STEP
|
Step |
| TOUCH
|
Point your
foot to the floor (step touch or touch step) |
| TWIST
|
Pivot ,changing
of direction |
| |
| FAN KICK |
Kick like
a high rond de jambe to the front, like a "fan". |
| FLICK KICK |
Développé
battement. |
| FLICK |
Développe
enveloppé. |
| HITCH KICK |
Flicking one
leg while the other one passes shooting into the air. |
| JAZZ SPLIT |
Split the
legs on the floor; the front one is straight and the back bend
in attitude. |
| KICK |
Grand battement
. |
|
| HIPFALL |
Slide to the
floor through a forth position. |
| HIPFALL |
Lift the hip
to a high retiré and drop it sidewards to the other standing
leg. |
| KNEE FALL |
Fall on your
knee (after a turn slide or jump). |
| KNEE SLIDE |
Slide down
to your knees (after a run, turn, drag, jump). |
| SHOULDER FALL
|
Arch backwards
completely until your shoulder (or shoulders) touch the floor
(near to the ankel) then slide.(Graham technique). |
|
| HEADROLL |
Roll the head.
|
| SHOULDERROLL
|
Roll the shoulders.
|
| HIPROLL |
Roll the hip.
|
|
| DOLPHIN |
Do a flowing
S movement starting from the chest. |
| KIVER |
Fast chest
movement forward and back. |
| RIPPLE
|
Do a flowing
S movement starting from the pelvis. |
| SHIMMIE |
Shoulder vibration
(shoulder shaking type Brazil). |
| SHIVER |
Tremble fast
in the whole body. |
| SNAKE |
Serpent ondulation
(face). |
| WORM |
Dolphin going
backwards with steps or chassées. |
|
BARREL
TURN
|
Airplane turn,
open (or close) your arms while turning, the body is bent forward
and the spot is to the floor (or to the front). |
COMPASS
TURN
|
Pir'uette with the foot draging the floor |
KNEE
TURN
|
Turn on the
knee. |
PENCIL
TURN
|
Turns straight,
straight legs and hold the arms like the skaters or the russian.
|
| SPINS (chenés) |
Turn through
the beat. (from french "enchainer" ) Déboules
are on the beat, chainés are through the beat. |
| TURNS |
Turn on the
beat. |
|
| BARREL
JUMP |
Like
jumping over a barrel with both legs bent. |
COFFEE
GRINDER
|
Pirouette fouetté . Turning jump with one leg bent and the other
in 2nd position.
e-mail remark from
Jeannie (N.Y.):
"Coffee Grinder" that it's done on the floor in a
squatted position. One leg bent and positioned under you that's
your supporting leg. The free or working leg is out straight
and swings around in front of you and the then the supporting
leg hops over the working leg as it swings around in a circle.
Hence the name "coffee grinder".
Some call it also russial roulette or Dr.Pepper
.... who is right ? |
| HOP
|
Jump
from one foot to the same. |
- JUMP
OVER THE LOG
|
- Jump over the leg (forward
and backwards). The Canadian woodcutters the "Lumberjacks"
amused themselves on the rivers with the wooden-logs rolling
them and jumping from one to another changing legs
-
video
clip-1
vidéo-clip-2
video-clip (5"
/ 375 Ko) extract from the movie "7 brides
for 7 brothers".
|
STAG
LEAP
|
Grand
jété with the front leg in plié. |
|
| JAZZ SQUARE
|
Cross right-r,
step side-l, step side-r, step together. |
| SKATE |
Slide forward
like a skater |
TEXAS
T
|
Ballroom West
Side Story. |
| POP CORN |
Step flick.
(kind of chorus line exit). |
| SUSY Q |
Cross front
4x and left (charleston 1920). |
PRIMITIVE
SQUAT
|
Hop to the
front in a deep second position parallel |
| SHORTY GEORGE
|
1937 it's
quite a funny step difficult to describe... |
FUNKY FOUR CORNERS:
(or funky for cooners?) |
The hip hits
the four direction in a funky way (funky four corners, or funky
for cooners). |
| CAKE WALK |
Walking diagonally
doing developpés with a arched back (like a final exit).During
the time of slavery, white people organised for their amusement
dance competitions for black people, the best dancer won a piece
of cake. Finally the dance that the black people made was a
parody of the white high society. |
| LIMBO |
Walking in
a hinge with a shimmie. (Jamaican dance) |
| JAMES BROWN |
James Brown
has taken over many steps that black dancers created at the
beginning of this century (Minstrels, Vaudeville ..) The James
Brown is very fast and funky heel and body movement |
| MESS AROUND |
Kind of soutenus
with a hiproll and arm spirals |
FUNKY CHICKEN
(PECKING CHICKEN)
|
Do the chicken,
also a James Brown step. |
| FUNK |
It's a way
to groove the music, to be funky (to be hip,- loose, -cool)
Funk is also a rhythm. People say that the origin of the word
funky comes from a mixing of "fun" and "skunk".
|
| MASHED POTATOES
|
Kind of Charleston
(also a James Brown step). |
| TRUCKING
|
Step-hop r+l
forward with the index finger doing no-no |
- TRENCHING
-
|
- Matt Mattox trenching
on a log, extract from the movie "7 brides for 7 brothers".
video-clip (5" / 375 Ko)
|
| SWIM DIVE RESCUE
|
Swim dive
and rescue movements (typical 1960-70 Beach boys ). |
|
(Others techniques):
|
| AD LIB |
Term used
by JAZZ MUSICIANS, it means go on, continue, improvise, add
to it! |
| BOUNCE |
Bounce, swing
|
| CONTRACT |
Is the action
of contracting a muscle. Often in dance its referred to the
abdominal contraction |
| CURVE |
(Cunningham)
: Curving the back from the pelvis to the head, there is no
contraction. |
| DROP + RICOVER
|
As it's said,
drop and recover: This action is more used in modern dance,
it means to drop from a position and immediately (using the
bounce) recovering the equilibre and the center. |
| FALL |
Fall, a way
to fall or to drop to the floor |
| FIGURE 8 |
Often a hip
movement that draws an 8 (like the mambo). |
| FREEZE |
Freeze, stop,
don't move! |
| LAY OUT |
Making a developpé
to the side having the upper body in a table-top position. |
| PITCH |
Often the
position is a deep arabesque with the playing leg up in the
sky and the chest towards the floor hitting the standing led.
It's a very dynamic movement often done after a pirouette (turn
+ pitch). |
| RELEASE |
To be in release
means to be in a normal position with out extra tension, just
holding. Contract and relax (let go) are the extremes . |
| SNAP |
Snapping the
fingers , like the jets in West Side Story (spanish origin "picos").
|
| SPIRAL |
The back turns
in a spiral beginning from the low section of the spine. |
| SWITCH |
Changer, changement,
change! |
| TABLE TOP |
2nd parallel
with a straight back tilting flat (like a table). |
| TILT |
High développé
in a 2nd position with the body tilting to the opposite direction. |
| TRIPPLETTES
|
(Graham tecnique):diagonal
walking at 3/4. |
| HINGE
|
(Horton tecnique)
: alignement from the hips to body tilting backwards in a 2nd
position parallel (limbo), there is no contraction. |
|
The
right terminology ....?
Help
us up to date this syllabus, thank you!
Corrections?
Précisions? Suggestions? Propositions?
www.offjazz.com | E-mail
Copyright (c) 1997 Webmaster
G. LORINGETT; all rights reserved. These pages may not
be used for financial gain or for commercial collections
or compilations without express permission from the author.
|